Indian Style

indian-style

One of the most striking characteristics of Indian style pottery is its variety. The diversity of the variations of texture, color, form and style of decoration seem to be almost endless and is one of the qualities of Pueblo Indian pottery that tends to appeal to collectors.

The rich differences that attract more seasoned collectors of pottery can be overwhelming to someone looking at Indian pottery for the first time. Several factors contribute to the diversity of Pueblo Indian pottery. These can be lumped into three basic categories: materials, traditions, and innovations.

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Other Crafts

others

Materials such as wood, wrought iron, silver, glass are mostly used for constructing mirror frames which are adorned with embellished work &  are made more appealing. Shapes like rectangular, oval or round are the predominant ones, though, experiments are being done & abstract images & shapes are as well mobbing the market. Straight or contoured borders are quite common while designs & patterns are found in abundance. Be it animal or human figures, floral prints, abstract images to name a few.
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Frame & Mirror

miror-frames

Mirror frames are one of the ancient and elaborately artistic manifestations. They need to be beautiful to frame the beauty which in return beautifies the room. Mirror frames are usually handcrafted. With intricate carvings, inlayed work and embossed shape, these are breathtaking in designs & are instant eye catchers. Antique & contemporary designs are both in vogue as far the mirror frames are concerned. Any frameless wall mirror can be transformed into a decorative and beautiful art piece when the edges of those mirrors are covered up with attractive work of wood, glass & other such materials. Wide range of mirror frames are created for any decor purpose, be it hand crafted mirrors for residential or commercial spaces. The mirror gets a face lift when the finial finishing is done is done, whether it is through varnishing, coatings or painting. It only strengthens their capacity & adds on their durability factor. Mostly, smooth polishing finish of dutch gold, copper or aluminum are preferred.

There’s another idea – look around. Do you feel any of your living room walls need a bit of accent? Here’s a solution- take an old plate, adhere mirror frames that are close to your heart on it , and hang with a plate hanger. Doesn’t that make an innovative wall hanging as well?

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Plain Color

plain-Glozy

The Meyri terracotta we see today are glosy without fresh colors. But investigations have found that this was not the original color of the mighty force. There were astonishingly unearthed six even more glosy pottery that finishing touch by using glosy efect without any of motive on its. Artisans had elaborately painted the terracotta after firing, to make this majestic pottery more lifelike elegant.

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Zebra and Cocoa

zebra&cocoa

Experts have found that the ways used to paint these six warriors were different. For some, one or two layers of raw lacquer were applied on certain parts, and for the others, they first painted a layer of raw lacquer, and added one or two layers of pigment above the raw lacquer. The figures were gaily colored. The hair buns were reddish brown, faces were pink, hands were dark red or white, legs were pinkish green or dark red and they wore pinkish green robes and reddish brown shoes. And this time, we offer you a zebra motive.

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Silver Flower

Silver-Flower

Terracotta has been used throughout history for sculpture  and pottery, as well as bricks  and roof shingles. In ancient times, the first clay sculptures were dried (baked) in the sun after being formed. Later, they were placed in the ashes of open hearths to harden, and finally kilns were used, similar to those used for pottery today. However only after firing to high temperature would it be classed as a ceramic material.

By using finishing touch or artistic, here they are will gratefully shown as these. A beauty and Elegant at the same time.

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Glossy Bennetton

benneton-glossy

An appropriate refined clay is partially dried and cast, molded, or hand worked into the desired shape. After further thorough drying it is placed in a kiln, or atop combustible material in a pit, and then fired. After pit firing the hot ware is covered with sand to cool, and after kiln firing the kiln is slowly cooled. When unglazed, the material will not be waterproof, but it is suitable for in-ground use to carry pressurized water (an archaic use), for garden ware, and sculpture or building decoration in tropical environments, and for oil containers, oil lamps, or ovens.

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Classic Line Pottery

classic-line

Pottery of ordinary style, which already done and made by Indonesian people since long time a go. It was shaped of many tools and equipment which is used by an ordinary and society. Since pre-history of Indonesian, there are many equipment clay and pottery which is used by Indonesian and made by clay.

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Burning

burning-color

It was a style of pottery with a more burning process on a coloring and finishing. At the final touch they were made more burning on each product of pottery to gave a “unique” feeling at each results.

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Bamboo Design

bamboo-design

Combining between pottery crafts with a bamboo decorations giving a different sight and sense. A process of clay / terracotta wich have their own unique things with a bambo stiching, bamboo sticked and style were giving a two monumental natural product of them in to one product sight.

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